Believe (Mascot Label Group/Provogue Records). Review by Michelle Wilson.
Tales From The West. Review by Michelle Wilson.
Straightjacket (Ruf Records). Review by Jeremy Glazier.
Kenny Wayne Shepherd and Beth Hart offered a healthy serving of blues in Orlando, and Michelle Wilson was there to savor the sweet experience.
I Am Nice (New West Records). Review by James Mann.
Trouble & Whiskey ( American Showplace Music). Review by Michelle Wilson.
Heal My Soul (Provogue). Review by Joe Frietze.
Victim of the Blues (Delta Groove). Review by James Mann.
A coffee table book, detailing SRV’s early career with pictures, reminiscences, posters and original lyrics sheets overwhelms Carl F Gauze but is probably perfect for the obsessive fan.
Two legendary blues men swapping licks and telling tales. It’s a shame it seems recorded at ten in the morning. James Mann let’s the music do the talking.
Five Moons. Review by Kyrby Raine.
Los Lonely Boys (Epic). Review by Tim Wardyn.
Los Lonely Boys,Los Lonely Boys,Epic,Tim Wardyn
Do You Get The Blues? (Artemis). Review by James Mann.
Texoma (Bohemia Beat). Review by David Whited.
Recently on Ink 19...
Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.
Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.