The Lords of the New Church Special Edition
The Lords of the New Church Special Edition (Blixa Sounds). Review by Scott Adams.
The Lords of the New Church Special Edition (Blixa Sounds). Review by Scott Adams.
Sid is dead and Nancy’s not much better in this low-res doc on the Sex Pistols and their disastrous 1978 US tour.
Mortal Micronotz, Smash, Live, The Beast that Devoured Itself, 40 Fingers (Bar/None). Review by Scott Adams.
GG Allin, bad boy of punk rock, terrorized audiences in Boston and Seattle. You’re going to want to clean your tongue after this one.
Matthew Moyer has his eye on a nice, new pair of leather suspenders – and he’s gonna wear them while watching Return of the Living Dead boys.
Matthew Moyer is glad that Holly George-Warren and the other compilers of this coffeetable-riffic collection of punk photos fetishize image as much as he does.
Music news and views, DVD and CD reviews, more – from Thomas Schulte
Squad Five-O (Tooth And Nail). Review by Terry Eagan.
Believe It or Not (NDN). Review by James Mann.
The Shadow Boxing, a neglected part of the Chinese Hopping Vampire cycle, returns on a spooky Blu-ray from 88 Films.
Daniel Rachel gives us a comprehensive account of the 2 Tone Records label and the innovative ska bands who fueled the movement in Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation.
Our Ancestors Swam to Shore (Free Dirt / PM Press). Review by Bob Pomeroy.
Jason Vorhees is back in 2009’s soft reboot of Friday the 13th, and it is time for a re-evaluation of the most recent film in the long running franchise.
Squeeze and Boy George dazzle in Clearwater, Florida, as Michelle Wilson ticks two off her Bucket List.
Three strong women oust their evil boss and bring reasonable policies to the workplace in this hit musical.
Marvelous martial arts masterpiece To Kill a Mastermind is finally released from the Shaw Brothers’ vault.
Possessing all the coziness of a gawk-worthy car crash, Permanent Damage, the salacious memoir from the notorious, outrageous “groupie” Miss Mercy Fontenot and celebrated pop culture journalist Lyndsey Parker, provides a surprise payoff.