Vacuous
A look back at a few 2019 Fringe shows that involved the Seminole State students and faculty.
A look back at a few 2019 Fringe shows that involved the Seminole State students and faculty.
A metal patient leaves the asylum and enters a colorful fantasy world in Federico Fellini’s little seen last film.
On the run from an assassin, international rock superstar Bené hides out in Los Angeles and prepares for a showdown with death. But he cannot fool death; for death knows that Bené microwaves his soup.
Carl F Gauze got some laughs out of this new post-teen comedy, but found it had as much heart and depth as an Archie comic.
A slim volume of black and white collage art gets Carl F Gauze all hot and bothered about Dada.
Four years of Little Nemo in Slumberland Sunday pages are brought together in one volume. Carl Gauze remembers it as if it were a dream.
A Mayan villager is killed in a mining accident and enters a surreal journey thorough the afterlife, ultimately resolving his life and death. Carl F Gauze finds here that Francisco Athié has revitalized the art of the surrealist film.
The fall theater season opens with a bang in Orlando.
A Native American president! Fart jokes! Midget rentacops! Carl F Gauze takes a deep slug from this unhealthy bottle of urban surrealism and wonders if he’ll live to regret it.
It’s not every day that you get to attend a Viking wedding. Ian Koss recounts the events surrounding the marriage of David Lee Beowulf.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.