Cloakroom
Last Leg of the Human Table (Closed Casket Activities). Review by Peter Lindblad.
Last Leg of the Human Table (Closed Casket Activities). Review by Peter Lindblad.
Belong (Slumberland). Review by Scott Adams.
Because Because Because (Pound You Into the Ground Records). Review by Robert Sutton.
When the recently reunited Swervedriver teleported their shoegazey goodness to the Paradise in Boston, Addam Donnelly was there with his space boots and measurement devices to record the waveforms.
Tonight We Drink…Tomorrow We Battle the Evil at Hand (Arclight). Review by Jen Cray.
Life of the Party EP (RCA). Review by Andrew Ellis.
Waves: Seventeen original BBC recordings from the Radio 1 sessions (1990-1994) (The First Time). Review by Eric J. Iannelli.
Various Artists (Reverb). Review by Rob Walsh.
The Orson Fader (Clairecords). Review by Daniel Mitchell.
Under And In (Martians Go Home / Parasol). Review by Stein Haukland.
100 Broken Windows (Capitol). Review by Marcel Feldmar.
Know Your Enemy (Virgin). Review by Nathan T. Birk.
6 1/2 (Pattern 25). Review by Ian Koss.
Odyssey Number Five (Universal). Review by Marcel Feldmar.
99th Dream (Zero Hour). Review by Keith Mercer
Event Review by Keith Mercer
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.