You Fail Me (Epitaph). Review by Daniel Mitchell.
The House That Lords Built (Initial Records). Review by Daniel Mitchell.
Follow the Flock, Step in Shit (Three One G). Review by Daniel Mitchell.
Up In Them Guts (No Idea). Review by Daniel Mitchell.
emocore,screamo,post-punk,Planes Mistaken For Stars,Up In Them Guts,No Idea,Daniel Mitchell
screamo,hardcore,post-punk,Flowers in the attic / Roma Delenda Est,Split 7",McCarthyism,Daniel Mitchell
Split 7″ (McCarthyism). Review by Daniel Mitchell.
Plague Soundscapes (Anti). Review by Daniel Mitchell.
We Sing the Body Electric (Revelation). Review by Daniel Mitchell.
Discography (Lovitt). Review by Daniel Mitchell.
Mix Up the Mix (Gold Standard Laboratories). Review by Daniel Mitchell.
Like pre-teens throwing every liquid into the kitchen blender and daring each other to drink the results, Woody and Jeremy fuse all manner of sounds legitimate and profane into some murky concoction that tastes surprisingly good.
Synapse Films reissues Lamberto Bava’s epic ’80s gore-filled movies Demons and Demons 2 in beautiful new editions.
Searching for the Disappearing Hour (Pyroclastic Records). Review by Bob Pomeroy.
Earlier this year, director Payal Kapadia was awarded the Oeil d’or (Golden Eye) for best documentary at the 74th Cannes Film Festival for her debut feature, A Night of Knowing Nothing. Lily and Generoso interviewed Kapadia about her poignant film, which employs a hybrid-fiction technique to provide a personal view of the student protests that engulfed Indian colleges and universities during the previous decade.
A classic children’s tale re-imagined by America’s greatest composers.
The 2021 edition of the American Film Institute’s Festival, was a total success. After mounting a small virtual festival in 2020, AFI Fest came roaring back this year with a slate of 115 films representing over fifty countries. Lily and Generoso rank their favorite features from this year’s festival which include new offerings from Céline Sciamma, Miguel Gomes, and Jacques Audiard.
Full Of Seeds, Bursting With Its Own Corrections (COAS). Review by Carl F. Gauze.
