The Hustle is On (Tee Pee/MIA). Review by Nathan T. Birk
Chrome Locust (Tee Pee/MIA). Review by Nathan T. Birk
The Atomic Bitchwax (Tee Pee/MIA). Review by David Lee Beowülf
Chrome Locust (Tee Pee/MIA). Review by David Lee Beowülf
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Here’s the straight skinny on day two of the Orlando International Fringe Theatre Festival, from Carl F. Gauze.
Marion Davies shines in this restored silent comedy classic from Undercrank Productions. Review by Phil Bailey.
The Orlando International Fringe Theatre Festival is back to full throttle in 2022. Carl F. Gauze has some sneak peeks.
Hard Luck and a Woman (Justin Golden Music). Review by Bob Pomeroy.
America’s favorite anti-heroes shoot their way out of life and into the the realms of history in Theater West End’s Bonnie & Clyde.
Yacht Rock Revue sailed smoothly into Orlando, and Michelle Wilson climbed aboard for a light rock extravaganza.
Music for Neighbors (Pravda). Review by Bob Pomeroy.
Electronic music creator Herb Deutsch looks back to the early days of synthesizers in the first installment of Moog’s original series, GIANTS.
Don’t Let The Sunlight Fool Ya (Pirate Press Records). Review by Bob Pomeroy.