Pop-rock purist Christopher Long gets blessed with a FREE, slightly-abused, vinyl copy of Endless Summer, the classic 1974 compilation from The Beach Boys. He then jumps in his little deuce coupe for a fun, fun, fun drive down Memory Lane.

Rifling through a boxful of ravaged old records, Christopher Long locates a flea market LP copy of the Ozark Mountain Daredevils Don’t Look Down — for a quarter — and speaks with the band’s co-founding bassist, Michael “Supe” Granda, about his amazing discovery.

Native Sons (New West Records). Review by Jeremy Glazier.

This week’s compendium of five carefully selected albums are all connected by a change encounter with Julius C. Lacking … maybe it was the tags, or perhaps the artwork, but the results are clear.

The 3 Way (Sundazed). Review by Julius C. Lacking.

Music reviews covering the critical years of rock and roll from 1967 to 1973 by critic and band manager Michael Oberman.

Interview with L.A. indie rockers Fellow Robot.

Christmas, It’s No Biggie (Damnably Records). Review by Bob Pomeroy.

Impossible. Review by Joe Frietze.

A Man Called Destruction (Omnivore Recordings). Review by James Mann.

Makes Me Sick (Hopeless Records). Review by Jen Cray.

Complete Third (Omnivore Recordings). Review by James Mann.

Grackle (Paper Cup). Review by Jen Cray.

Pythons (Warner Bros). Review by Jen Cray.

Comedown Machine (RCA). Review by Jen Cray.

Music from the Unrealized Film Script: Dusk at Cubist Castle/ Black Foliage: Animation Music Volume One (Chunklet Industries). Review by Carl F Gauze.

Ghost on the Canvas (Surfdog Records). Review by Sean Slone.

WWII (Dirtnap). Review by Jen Cray.

Bruno MacDonald aims for a paper wiki of rock history, showing the connections that casual fans might miss, in this interesting take on the history of rock ‘n’ roll.

Tomorrow Is Alright (Fat Possum). Review by Jen Cray.