There are many two-genre combos that will fit on Blitzen Trapper like a tailored suit, but my current favorite is “country psychedelia”.
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
Straight outta Staten Island, the Budos Band has enough energy to power a nuclear submarine for seven months, allowing it to circumnavigate the globe three and a half times.
A low budget nautical adventure filled with high concept effects.
Part 1. Lola Versus The Powerman and The Moneygoround (ABKCO, BMG). Review by Carl F. Gauze.
A pair of Japanese takes on The Invisible Man make their first appearance in the U.S.
Opening on VOD through independent theaters on March 5th, Keep An Eye Out is director Quentin Dupieux’s (Rubber, Deerskin) deviously surreal and comedic take on the police procedural.
A low budget Japanese art film about punks, drag racing and teenage rebellion.
Noise of Trouble (Niafunken). Review by Carl F Gauze.
Le cut-up populaire. Review by Julius C. Lacking.
You can say that bedrock funk bassist Bootsy Collins is The One, and you would be right on so many levels.
Our Night Out (Burning Heart Records). Review by Carl F. Gauze.
Joe Jack Talcum sings Railroad Bill and Other Songs. Review by Julius C. Lacking.