What Made Milwaukee Famous
Trying To Never Catch Up (Self Released). Review by Sean Slone.
Trying To Never Catch Up (Self Released). Review by Sean Slone.
Poison Arrows (Lookout! Records). Review by Daniel Mitchell.
michigan east lansing boston scenester hipster,The Avenues,When the Sun Was Happy,Duffmeister,Aaron Shaul
When the Sun Was Happy (Duffmeister). Review by Aaron Shaul.
Love them or hate them, the Strokes seem to have the knack of putting on a good show down. Rob Levy caught them in St. Louis last month and is willing to testify.
The Strokes,,The Paegant, St. Louis, MO, April 27, 2004,Rob Levy
Lil’ Beethoven (Palm Pictures). Review by Carl F Gauze.
Lil’ Beethoven (Palm Pictures). Review by Carl F Gauze.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
This Soft Life (ModMusic). Review by Ben Varkentine.
The Spins 7” (Exit Stencil Recordings). Review by Daniel Mitchell.
Action Packed: The Best of Jonathan Richman (Rounder). Review by Matt Cibula.
Mishima USA (Catapult). Review by Terry Eagan.
Yeah. Well, Anyway… (Razor & Tie). Review by Marcel Feldmar.
The Scene’s Out of Sight (Self-Starter). Review by Marcel Feldmar.
Some groups are best heard and not seen, and Boston’s Cars were one of them. …
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.