Gene Loves Jezebel
Giving Up the Ghost (Triple X). Review by Nathan T. Birk.
Giving Up the Ghost (Triple X). Review by Nathan T. Birk.
The evening of May 5, 2001, featuring Cheap Trick, Booker T. Jones, Lucinda Williams, The Wallflowers, and The Cult. Review by James Mann. Photos by June Rich.
Just Push Play (Columbia). Review by Brian Kruger.
On the occasion of his first solo album, Iommi, Bryan Reesman sits down with the dark lord of metal himself to discuss unusual collaborations, his brief stint in Jethro Tull, and why Black Sabbath were the real inspiration behind Spinal Tap.
Guitar-god Slash has officially left his Guns N’ Roses days behind, concentrating full time on his one-time side project, the Snakepit. Gail Worley speaks with Slash and vocalist Rod Jackson about the dissolusion of the Gunners and the future of the Snakepit.
After one of the most legendary break-ups in rock n’ roll history (they actually got into a fist fight onstage), the Cult have reunited, with a hit single from Gone in 60 Seconds and a new album on the way. Meanwhile, singer Ian Astbury has quietly released a solo project, and recently took some time to catch up with Gail Worley.
Like a butterfly metamorphosing into a caterpillar, the Cult went from writin…
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.