Mixtape 106 :: Odelia
They call it Hotlanta for a good reason, but I’m sure The Black Lips have enough bad attitude to have way more colorful names for their hometown.
They call it Hotlanta for a good reason, but I’m sure The Black Lips have enough bad attitude to have way more colorful names for their hometown.
The Get Up Kids have, thankfully, outgrown the pop punk emo bands that copped their style 10 years ago, as a recent Orlando date proved to virgin listener Jen Cray.
Victims of Pop Culture (Centsless). Review by Stein Haukland.
Black Lines to Battlefields (The Militia Group). Review by Stein Haukland.
Black Lines to Battlefields (The Militia Group). Review by Stein Haukland.
Daniel Mitchell discusses Nair, tennis, and Indian food with Rob Suchan of Koufax.
Death and Taxes (Deep Elm). Review by Margie Libling.
Under the Tray (Vagrant). Review by Liza Hearon.
Again, For the First Time (Tooth & Nail). Review by Daniel Mitchell.
Midtown, with Poly Esther, The Reunion Show, and Recover at The Factory, Ft. Lauderdale, FL on October 13, 2002. Concert review by Liza Hearon.
It’s A Calling (Asian Man). Review by Daniel Mitchell.
Midwest Index (Law of Inertia). Review by Daniel Mitchell.
Wood/Water (Anti / Foreign Leisure / Epitaph). Review by Jason Feifer.
The Motion (Law Of Intertia). Review by Liza Hearon.
The Composition of Ending and Phrasing (Beyond). Review by Margie Libling.
It didn’t take Midtown long to go from garage band to the verge of pop-punk stardom. With the band’s sophomore effort poised for release, Margie Libling has an extremely candid conversation with guitarist Heath Saraceno.
The Road to Nowhere EP (Has Anyone Ever Told You?). Review by Terry Eagan.
Eudora (Vagrant). Review by Jason Feifer.
Up, Up, Down, Down, Left, Right, Left, Right, B, A, Select, Start (MOC). Review by Vanessa Bormann.
Better Than My Best Dream (Go). Review by Marcel Feldmar.
Lilys’ East Coast tour begins February 10, 2023, and will include shows in Philadelphia, Baltimore, New York City, and more.
Soul’d Out: The Complete Wattstax Collection overwhelms Carl F. Gauze with 12 music CDs reprising the 1972 benefit concert to rebuild Watts, Los Angeles, seven years after the riot.
OG Skate Rock Band JFA Is Back With Its First Studio Album In Way Too Long, The Last Ride, out May 2023.
Elizabeth Moen may have started life with Midwest roots, but the singer-songwriter’s incredible talent has taken her to the international stage. Jeremy Glazier talks with the Iowa songbird on today’s episode.
Rifling through a boxful of ravaged old records, Christopher Long locates a flea market LP copy of the Ozark Mountain Daredevils Don’t Look Down — for a quarter — and speaks with the band’s co-founding bassist, Michael “Supe” Granda, about his amazing discovery.
Winter Park Playhouse regular Carl F. Gauze enjoys Tales from a Hopeful Romantic, a musically outstanding love story, courtesy of spotlight chanteuse Tay Anderson.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.