- Archikulture Digest
- May 21, 2022
More theater hi-jinx from Orlando International Fringe Theatre Festival in the muggy month of May, from Carl F. Gauze.
There are many two-genre combos that will fit on Blitzen Trapper like a tailored suit, but my current favorite is “country psychedelia”.
Sound Salvation is resurrected with a howlingly good Halloween playlist that will weak the dead at your All Hallow’s Eve bash.
The Bleached Slang Tour (Beach Slang + Bleached) brings Orlando to its knees and causes hearts, like Jen Cray’s, to swoon.
Our own Jen Cray is besotted with Florence & the Machine’s high drama.
Danzig and DevilDriver tested the limits of the Hard Rock’s code of concert audience conduct at a recent Orlando date. Jen Cray plays nice for security.
Off With Their Heads slays an early afternoon crowd in Orlando.
The Devil’s Outlaw (I Used to Fuck People Like You in Prison Records). Review by Jen Cray.
One For the Good Guys (Black Numbers). Review by Jen Cray.
Live Fast…Die Pscyho (Hairball 8). Review by Jen Cray.
The Lost Tracks of Danzig (evilive). Review by Jen Cray.
Blood Vessels (Teenage Heart Records). Review by Carl F Gauze.
Horror Thirteen (Blood and Guts). Review by Jen Cray.
Black Aria II (Evilive). Review by Jen Cray.
20 Years of Psychobilly starring The Quakes , 7 Shot Screamers and Twisted In Graves has drawn out an impressive number for a Thursday night, including Jen Cray.
The former frontman for the seminal hardcore punk outfit, The Misfits, unleashed an evening of pure, dark, bluesy metal on an eager Florida crowd. Jen Cray escapes unscathed.
Vol. 1 (Slash/Bigg Massive). Review by Stein Haukland.
The Unruly Sounds of Damnation (RAFR). Review by Daniel Mitchell.