Steal This Music
In light of the recent charges levied against Jammie Thomas-Rasset in the RIAA’s case against her, we’ve unearthed this review on Steal This Music, a book concerning the history of copyright in music.
Tag: The Replacements
Superchunk
Leaves in the Gutter (Merge). Review by Laura Pontillo.
TSOL: The Early Years Live
Matthew Moyer spends a quiet night in with TSOL.
The Gecko Club
Evergreen (NorthLight Records). Review by Crystal Lee.
The Exploding Hearts
Shattered (Dirtnap). Review by Aaron Shaul.
Samiam
Whatever’s Got You Down (Hopeless Records). Review by Carl F Gauze.
Scott Miller and The Commonwealth
Citation (Sugar Hill). Review by Sean Slone.
Screamfeeder
Take You Apart (In Music We Trust, Rhythm Ace Records). Review by Tim Wardyn.
The Hold Steady
Separation Sunday (Frenchkiss Records). Review by Terry Eagan.
Devin Davis
Lonely People of the World, Unite! (Mousse). Review by Aaron Shaul.
The Foxymorons
Hesitation Eyes (Heatstroke). Review by Aaron Shaul.
Paul Westerberg
Come Feel Me Tremble (Vagrant). Review by James Mann.
The Constantines
Shine a Light (Sub Pop). Review by Aaron Shaul.
The Black Watch
Very Mary Beth (Stone Garden). Review by Terry Eagan.
Grandpaboy
Dead Man Shake (Anti-/Fat Possum). Review by James Mann.
Ted Leo / Pharmacists
Tell Balgeary, Balgury is Dead (Lookout!). Review by Stein Haukland.
Milton Mapes
Westernaire (Aspyr). Review by Aaron Shaul.
Zykos
Comedy Horn (Post-Parlo). Review by Aaron Shaul.
The Wednesdays
You Will Gasp And They Will Breathe (Reservation). Review by Stein Haukland.
The Mendoza Line
If They Knew This Was the End (Bar None). Review by Rob Walsh.
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