Charlie Pickett And…
Bar Band Americanus: The Best of Charlie Pickett And… (Bloodshot Records). Review by James Mann.
Bar Band Americanus: The Best of Charlie Pickett And… (Bloodshot Records). Review by James Mann.
Anthology (Candlelight). Review by Matthew Moyer.
The Ettes chose Winter Park, Florida’s Park Ave CDs to debut their new limited edition yellow vinyl release, Look at Life Again Soon. Jen Cray didn’t need a turntable to hear their songs live.
Wet Sounds (Urban Cheese). Review by Jen Cray.
Guitar Bomb (Crafty). Review by Jen Cray.
Good Machine (Self-Released). Review by Jen Cray.
How Do You Like The Sound Of That (Arclight). Review by Jen Cray.
Strange House (Stolen Transmission). Review by Jen Cray.
The Horrors are a skinny, gothly clad bunch living inside of a late night radio flashback to the alternative side of the 70’s and 80’s- and don’t we all want to slip into that dark little world once again?! Frontman Faris Badwan answered a few questions for newly converted fan Jen Cray.
Blood Vessels (Teenage Heart Records). Review by Carl F Gauze.
Little Steven’s Underground Garage-A-Go-Go’s 4th of July event at Tampa’s Hard Rock Casino featured Buzzcocks, The Chesterfield Kings, The Gore Gore Girls, Fortune & Maltese , and The Unrequited Loves. It wasn’t a tour, it wasn’t a private event, it was free, and Jen Cray was there.
City Calls Revolution (Beta-lactam Ring). Review by Aaron Shaul.
What About Today? (Fusco-Moore Productions). Review by Kyrby Raine.
The Gore Gore Girls take the two best musical styles of Detroit, Motown and Garage Rock, and combine them with sexy, sultry attitude. Jen Cray reports from the white vinyl lounge.
Like its namesake, Electric Frankenstein is an implacable juggernaut, conquering the world one lurching step at a time. Vinnie Apicella takes a look at the mind behind the machine in an interview with Sal Canzonieri.
FormFollowsFunction (Time Beach Records). Review by Jen Cray.
Switchblade Tongues, Butterknife Brains (Gearhead). Review by Stein Haukland.
Switchblade Tongues, Butterknife Brains (Gearhead). Review by Stein Haukland.
Aaron Shaul happily wades through The Clash’s complete videography, marvels at their turn as actors (!), and comes through it all as a bigger fan than ever before.
Bigger Cages, Longer Chains (Epitaph/Burning Heart). Review by Aaron Shaul.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.