The Sun
Love & Death EP (Warner). Review by Stein Haukland.
Love & Death EP (Warner). Review by Stein Haukland.
Human Being Lawnmower (Total Energy). Review by Vinnie Apicella.
Phoenix EP (Birdman). Review by Jason Michelitch.
Drummmer Barrett Martin talks about Screaming Trees, Wayward Shamans, Tuatara, and life after grunge with Gail Worley.
It’s Still Artastic (ROIR). Review by James Mann.
Adult World (Muscle Tone). Review by James Mann.
Squad Five-O (Tooth And Nail). Review by Terry Eagan.
White Knuckle Ride (Headhunter/Cargo). Review by Nathan T. Birk.
Eat Shit +1 (Junk). Review by Matthew Moyer.
The Cherry Valence (Estrus). Review by Terry Eagan.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.