The Strokes

  • Her Royal Harness

    Her Royal Harness

    The Hunting Room (Manufacture). Review by Carl F Gauze.

  • The Strokes

    The Strokes

    Comedown Machine (RCA). Review by Jen Cray.

  • Tom Petty & the Heartbreakers

    Tom Petty & the Heartbreakers

    Tom Petty & the Heartbreakers sell out Orlando’s Amway Arena with the grace and ease of a well-seasoned band with nothing to prove. Jen Cray joins in with the masses on some memorable sing-alongs.

  • High Tension Wires

    High Tension Wires

    Welcome New Machine (Dirtnap). Review by Jen Cray.

  • The Strokes

    The Strokes

    Angles (RCA/Rough Trade). Review by Jen Cray.

  • The Get Up Kids

    The Get Up Kids

    The Get Up Kids have, thankfully, outgrown the pop punk emo bands that copped their style 10 years ago, as a recent Orlando date proved to virgin listener Jen Cray.

  • Free Energy

    Free Energy

    Free Energy make their Central Florida debut in front of more than just the bartenders, and Jen Cray thanks her lucky stars that she decided to brave the 60 degree wintry blasts to catch the show.

  • Violens

    Violens

    Amoral (Friendly Fire/ Static Recital). Review by Jen Cray.

  • Phoenix

    Phoenix

    If Phoenix’s debut Orlando performance is any indication of its future, the little French band is finally beginning to see the fruits of its decade-long labor. An enthusiastic sold-out crowd that included Jen Cray greeted the band with open arms.

  • The Whigs

    The Whigs

    In The Dark (ATO). Review by Joe Frietze.

  • Local H

    Local H

    Local H prove to doubters that they are much more than a side-note in the story of grunge, and As Good As Dead is a sorely underrated album.

  • Jet

    Jet

    Jet‘s inspired blending of garage and classic rock shouldn’t work, but it does, even six years after plowing into America’s consciousness.

  • Juliette Lewis

    Juliette Lewis

    Juliette Lewis jettisons the Licks for a new bid at solo stardom. Jen Cray sees how she handles the spotlight all to herself.

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