As you may suspect, Peter Bjorn and John hail from Sweden, and as you may expect, they do Anglophonic indie pop better than the Anglophones.
Remember You (Edgeout Records/UME). Review by Michelle Wilson.
The Jacks(Edgeout Records) Review by Michelle Wilson.
5 Covers and a Song. Review by Jeremy Glazier.
With You Tonight (DTF/Membran). Review by Jen Cray.
White Reaper Does It Again (Polyvinyl). Review by Jen Cray.
Tampa’s Big Guava Festival puts itself on the sun & sounds map, and wins the heart of Jen Cray.
Made Violent (Startime International/Columbia). Review by Jen Cray.
Central Florida has got itself a proper music festival in the way of the BIG GUAVA. Save your gas money, cause with a lineup this good there’s no reason to drive 500 miles north to get your festival fix.
Planta (SQE Music). Review by Jen Cray.
The Hunting Room (Manufacture). Review by Carl F Gauze.
Comedown Machine (RCA). Review by Jen Cray.
Tom Petty & the Heartbreakers sell out Orlando’s Amway Arena with the grace and ease of a well-seasoned band with nothing to prove. Jen Cray joins in with the masses on some memorable sing-alongs.
Welcome New Machine (Dirtnap). Review by Jen Cray.
Angles (RCA/Rough Trade). Review by Jen Cray.
The Get Up Kids have, thankfully, outgrown the pop punk emo bands that copped their style 10 years ago, as a recent Orlando date proved to virgin listener Jen Cray.
Free Energy make their Central Florida debut in front of more than just the bartenders, and Jen Cray thanks her lucky stars that she decided to brave the 60 degree wintry blasts to catch the show.
Amoral (Friendly Fire/ Static Recital). Review by Jen Cray.
If Phoenix’s debut Orlando performance is any indication of its future, the little French band is finally beginning to see the fruits of its decade-long labor. An enthusiastic sold-out crowd that included Jen Cray greeted the band with open arms.
In The Dark (ATO). Review by Joe Frietze.
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