Ace Frehley
Origins, Vol. 2 (Entertainment One (eOne)). Review by Christopher Long.
Origins, Vol. 2 (Entertainment One (eOne)). Review by Christopher Long.
Britain’s pop/rock poster boys recently brought their “Everybody Wants” world tour to Orlando, FL for a sold-out performance at The Social. Christopher Long was there, waiting like a giddy schoolgirl when the band rolled into town.
A fascinating look at the melding of three seemingly disparate artists during a brief period of time that resulted in some of the most influential music to come out of the Seventies.
Anomaly (Bronx Born Records). Review by Christopher Long.
Necromance: Digital Urban Icons (Day After). Review by Nathan T. Birk.
Author Larry Niven theorizes that unusual patches of fog are the result of an…
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.