Gregg Allman
Southern Blood (Rounder Records ). Review by Michelle Wilson.
Southern Blood (Rounder Records ). Review by Michelle Wilson.
Lay Your Sea Coat Aside (Plancha). Review by Matthew Moyer.
Song Islands Vol. 2 (PW Elverum & Son). Review by Matthew Moyer.
It’s easy to be jealous, but it’s probably better to follow Damon and Naomi’s example of growing up and growing awesome in a musical genre overcrowded with manchildren, the ins and outs of which can be glimpsed on the 1001 Nights DVD.
Homemade Ship (K Records). Review by Matthew Moyer.
Merri Cyr tries to catch lightning in a camera lens in this re-issue of her 2002 scrapbook of intimate reflections on legendary musician Jeff Buckley. S D Green wonders if Buckley was ever really here at all.
Touch To Love/Spread Your Lies Wholeheartedly (Now Here Records). Review by Matthew Moyer.
For Emma, Forever Ago (JagJaguar). Review by Matthew Moyer.
Vespers (Abandoned Love Records). Review by Matthew Moyer.
We Shall All Be Healed (4AD Records). Review by Matthew Moyer.
Live In Japan, February 19th, 21st, and 22nd, 2003 (K Records). Review by Matthew Moyer.
Mash Concrete Metal Mushroom (Shrimper). Review by Matthew Moyer.
For the Swan in the Hallway (Hidden Agenda). Review by Sean Slone.
Estranged (Heyday). Review by Matthew Moyer.
Estranged (Heyday). Review by Matthew Moyer.
Tallahassee (4AD). Review by Matthew Moyer.
Mount Eerie (K). Review by Matthew Moyer.
Dreamland (Universal). Review by James Mann.
The Ugly People vs. the Beautiful People (Manifesto / Bella Union). Review by Matt Cibula.
The Dream Belongs To Me: Unreleased Recordings ‘68-‘73 (Manifesto). Review by Matthew Moyer.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.
J-Horror Rising, a curated collection from the late ’90s and early 2000s, spotlights three lesser-known gems from the influential J-Horror movement. Phil Bailey reviews Carved: The Slit Mouthed Woman, St. John’s Wort, and Inugami.
Traveler (Wide Brim Music). Review by Randy Radic. Featured photo by @annaazarov.