- Music Reviews
- March 8, 2021
Carnival of Peculiarities (Twisted Music). Review by Carl F. Gauze.
Songs from the Orange Room. Review by Robert M. Sutton.
Promise of Summer (Foreverything Records). Review by Andrew Ellis.
Four years of Little Nemo in Slumberland Sunday pages are brought together in one volume. Carl Gauze remembers it as if it were a dream.
NY indie quartet, Vampire Weekend, gives Orlando its all during one Florida debut Phillip Haire is bloody lucky he didn’t miss.
Keeper of Youth (SideCho). Review by Jen Cray.
Iron & Diamonds (Sugar Hill). Review by Chris Catania.
The Orlando date of the Against Me! tour was scheduled in competition with the annual Anti Pop Fest, but the band’s loyal followers could not be deterred. Jen Cray skipped out on the multitude of alternate shows happening downtown to spend another evening with these Gainesville boys.
Brighton, MA (Loose Tooth). Review by Chris Catania.
Phonograph (Arclight). Review by Aaron Shaul.
The blues-soaked, funk-sprinkled, new progressive sounds of Alaska’s Portugal The Man made an evening of mediocre bands worth it for Jen Cray.
Shine (National Recorder). Review by Andrew Ellis.
You Know Who You Are (Mono Vs. Stereo). Review by Jen Cray.
Highway Companion (American). Review by Jen Cray.
Sometimes, you have to weed through the junk to find the treasure. Well, here it is. Brittany Sturges meets Pawnshop Roses.
American Minor (Jive Records). Review by Jen Cray.
Really, it’s a no-brainer, but Alex Woodard tells Andrew Ellis just why he traded a career in accountancy to become a singer-songwriter.
Words & Music — John Mellencamp’s Greatest Hits (Island/UTV). Review by Andrew Ellis.
Mile High (Kona). Review by Andrew Ellis.
Tom Schulte delivers a healthy megadose of news and reviews in this month’s Outsight.