L.A.M.F.: The Heartbreakers’ Live at the Bowery Electric
Punk heroes unite to give a rowdy look at the classic L.A.M.F. album 40 years down the road.
Punk heroes unite to give a rowdy look at the classic L.A.M.F. album 40 years down the road.
The Phage EP (Burger Records). Review by Jen Cray.
They could go from the greatest band you ever saw to an out of control drunken mess, all in the same song. Color Me Obsessed pays tribute to last great American band, The Replacements. You can color James Mann obsessed!
Once, Twice, Three Times A Maybe (Ryko). Review by Sean Slone.
Matthew Damascus shakes his head and mutters dark curses against the phony gay wedding angle on Smackdown, and then marks out over the Axl Rose comeback.
Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.