Slaughter of the Vampires
Romantic vampires? Heaving bosoms? Must be an Italian vampire film. Scott Adams dons his puffy shirt and velvet cape and swoons.
Romantic vampires? Heaving bosoms? Must be an Italian vampire film. Scott Adams dons his puffy shirt and velvet cape and swoons.
Lost Light (K Records). Review by Matthew Moyer.
Precipitate8 sweeps back into Gainesville on a wave of degradation and bad vibes. Too much hurt. Time to get a real job. Time to hide.
Gainesville boredom plunges Precipitate8 into vampire delusions, epileptic seizures and various chemical escapades.
Precipitate8, after a night out on the town, almost makes it to the car, but late night crazies and wiccan vampire watchers have other ideas.
Precipitate8 samples the nightlife in the city that Mickey built, Orlando, for a blur of goth clubs, drugs, bad silver shirts, and stand-offs with vampires.
Bladejob bites the hand that feeds it and watches the blood flow with a look at vampires and wrestling. Not what you’d expect. And more effusive praise for Steve Corino. Some would call it bad timing…
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.