the innocence mission
Midwinter Swimmers (Therese Records). Review by Peter Lindblad.
Midwinter Swimmers (Therese Records). Review by Peter Lindblad.
The Delta Sweete (UMC). Review by James Mann.
Rio en Medio Radio (WW Recordings). Review by James Mann.
Heartleap (DiCristina ). Review by James Mann.
Lay Your Sea Coat Aside (Plancha). Review by Matthew Moyer.
Innundir Skinni (One Little Indian). Review by Carl F Gauze.
Campfire Songs (Paw Tracks). Review by Matthew Moyer.
Ask The Night (Saddle Creek). Review by Matthew Moyer.
I Can Wonder What You Did With Your Day (Jagjaguwar). Review by Matthew Moyer.
Dark Smaland (Orange Twin). Review by Matthew Moyer.
Seventh Tree (Mute Records). Review by Matthew Moyer.
Brightblack Morning Light (Matador Records). Review by Matthew Moyer.
Remember That I Love You (K). Review by Matthew Moyer.
Further From Grace (Strange Attractors). Review by Aaron Shaul.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.