Neil Diamond with the London Symphony Orchestra
Classic Diamonds (Capitol Records). Review by Christopher Long.
Classic Diamonds (Capitol Records). Review by Christopher Long.
Weekend In London (Provogue Records). Review by Christopher Long.
A new cabaret series at Winter Park Playhouse emphasized African American artists and music.
A Very Special Christmas: Icon (Universal Music). Review by Michelle Wilson.
The timeless appeal of Erasure wooed Jen Cray and a couple-thousand Orlando fans, who put on their party hats and left their inhibitions at home.
Dolly (Sony Legacy). Review by Matthew Moyer.
Operating in a genre dominated by paint-by-numbers R&B, Zaki Ibrahim paints soul – outside the lines – with a purple paint brush. S D Green talks to the emergent Canadian soulstress about globalism in her sound, the unlikely influence of Tom Waits, and why critics refuse to believe Canadian artists have soul.
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.