- Music Reviews
- April 23, 2019
Forever Overhead (Arts & Crafts). Review by Jeremy Glazier.
I Used to be Pretty (Yep Roc). Review by Bob Pomeroy.
The Westerner (Cool Rock Records / Thirty Tigers). Review by Carl F Gauze.
HWY 62 (Omnivore Recordings). Review by James Mann.
The Kingbees (Omnivore Records / RSO). Review by Carl F. Gauze.
Cleaver Lever (Shock Records). Review by Carl F Gauze.
Die-hard fans, May Terry among them, mind-moshed and recalled their early days of musical aggression at Irving Plaza, thanks to legendary punk rockers, X.
A fittingly ambitious film for a fittingly artistic and poetic band.
The Babies (Shrimper). Review by Matthew Moyer.
Rocking At Ground Zero with Rare Cuts! (Hepcat Records). Review by Carl F Gauze.
Trio B.C. (Blackheart Records). Review by Carl F Gauze.
That That! (Pressing Records). Review by Matthew Moyer.
I Am The Messer (Self Released). Review by Carl F Gauze.
Apocalyptic sci-fi, Busby Berkeley, and the proto-punk of the Screamers collide head-on in this reissue of Rene Daalder’s lo-fi, hilarious, and terribly sad musical. Is that a twelve-year old Beck making a cameo?
Ridiculous Empire (Cool Midget). Review by Carl F Gauze.
I’m Not There: Original Soundtrack (Sony Records). Review by Matthew Moyer.
Catherine Avenue (Love Minus Zero Recordings). Review by Matthew Moyer.
Midnight Cashier (Dirtnap). Review by Jen Cray.
The first ever Volcom Tour brought co-headliners Riverboat Gamblers and Valient Thorr to Orlando, along with label mates Totimoshi and ASG. This was exactly the kind of show Jen Cray had been waiting for.