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  • The Flesh Eaters

    The Flesh Eaters

    I Used to be Pretty (Yep Roc). Review by Bob Pomeroy.

  • John Doe

    John Doe

    The Westerner (Cool Rock Records / Thirty Tigers). Review by Carl F Gauze.

  • Peter Case

    Peter Case

    HWY 62 (Omnivore Recordings). Review by James Mann.

  • The Kingbees

    The Kingbees

    The Kingbees (Omnivore Records / RSO). Review by Carl F. Gauze.

  • Corners

    Corners

    Maxed Out on Distractions (Lolipop Records/Burger Records). Review by Carl F Gauze.

  • The Growl

    The Growl

    Cleaver Lever (Shock Records). Review by Carl F Gauze.

  • X

    X

    Die-hard fans, May Terry among them, mind-moshed and recalled their early days of musical aggression at Irving Plaza, thanks to legendary punk rockers, X.

  • Population: 1

    Population: 1

    Apocalyptic sci-fi, Busby Berkeley, and the proto-punk of the Screamers collide head-on in this reissue of Rene Daalder’s lo-fi, hilarious, and terribly sad musical. Is that a twelve-year old Beck making a cameo?

  • John Amen

    John Amen

    Ridiculous Empire (Cool Midget). Review by Carl F Gauze.

  • I’m Not There

    I’m Not There

    I’m Not There: Original Soundtrack (Sony Records). Review by Matthew Moyer.

  • Biirdie

    Biirdie

    Catherine Avenue (Love Minus Zero Recordings). Review by Matthew Moyer.

  • High Tension Wires

    High Tension Wires

    Midnight Cashier (Dirtnap). Review by Jen Cray.

  • Riverboat Gamblers

    Riverboat Gamblers

    The first ever Volcom Tour brought co-headliners Riverboat Gamblers and Valient Thorr to Orlando, along with label mates Totimoshi and ASG. This was exactly the kind of show Jen Cray had been waiting for.

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