The glass bottom boat of the cultural press
Atari Teenage Riot came to Firestone Live to pound out the techno into a modern political landscape where the people rise above totalitarian and authoritarian control. It’s the kind of futuristic idealism that local scribe Eric Donath can’t miss, and to ice that cake is Otto von Schirach, a bass-heavy freak with street-cred like a rap-sheet symphony.
Monotonix and Surfer Blood help Parafora Productions celebrate 3 years of amazing live music at Orlando’s BackBooth. Jen Cray is still reeling.
Fucked Up Friends (anticon). Review by P. McEver.
Darrk Circuits Fadead Waves (Celebrity Lifestyle). Review by Aaron Shaul.
Who Will Cut Our Hair When We’re Gone? (Alien8 Recordings). Review by Matthew Moyer.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
