The glass bottom boat of the cultural press
Mike Judge created the straight edge band Judge as a darker, more militant answer to the movement’s detractors. A loner who was able to conquer his stage fright to lead a band, Judge revisits the band in this new documentary.
The net result of plowing through a weighty tome like this is a sense of awe at how a bunch of kids created their own culture whole cloth, like the music industry on a Utopian, communal, microcosmic level.
With the metamorphosis of Brian Fallon from shy guy to confident frontman, The Gaslight Anthem are poised to follow in their hero’s footsteps. Jen Cray observed the band’s ascent at a recent Orlando show.
Scott Adams’ quarrel with this recently released DVD of the legendary Cro-Mags’ CBGBs reunion show is not that the band couldn’t bring the power one last time, but that the camera and sound quality were bootleg quality. That ain’t punk, punk.
Matthew Moyer gets a crash course in hardcore history and a masterclass in interviewing bands from reading this collection of Norman Brannon’s Anti-Matter zine.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.
Ben Folds adds new dates to his Paper Airplane Request Tour.
HEALTH continue their mission to make everyone love each other, bringing their RAT-BASED WARFARE TOUR to the Mile High City, where Steven Cruse gets to be a very lucky middle-aged industrial fanboy.