October (Transparent). Review by Kiran Aditham.
The River (Marriage). Review by Aaron Shaul.
Interview by Julio Diaz
Central Reservation (Arista). Review by Troy Mayhew
The graphic sequences of sex, war, famine and death in Director Simon Pummell’s Bodysong might make you queasy. But not for the obvious reasons. Eric J. Iannelli explains.
So far, the best punk album of the year. And it’ll be tough for anyone to ecl…
The Sun at Midnight (Earthtone). Review by Jason Feifer
Pure Cuban Flavor (Rhino). Review by Hal Horowitz
Sir Millard Mulch dares to talk on the phone with the lovely ladies of phenomenally successful songwriting team The Matrix about their debut as performing artists.
Titletron (Grand Theft Autumn). Review by Daniel Mitchell.
Wilderness stops three hours from where Aaron Shaul lives and he is fully committed to leaving the city to find them and prog rock salvation.
Presents the Chromatic Universe (Visions Inc.). Review by Bill Campbell.