Jeffrey Foucault
Judy Craddock speaks with Jeffrey Foucault about his first album in six years, The Universal Fire, and connecting all kinds of dots in the wake of loss.
Judy Craddock speaks with Jeffrey Foucault about his first album in six years, The Universal Fire, and connecting all kinds of dots in the wake of loss.
Bring your loupe and spend some time poring over the maps that open Navola with Ian Koss.
Lily and Generoso review director Gürcan Keltek’s mesmerizing supernatural drama, New Dawn Fades, winner of the Best Feature Boccalino D’Oro Award of the 24th Independent Film Critics Awards of the 2024 Locarno International Film Festival.
Channing Wilson opens for Steve Earle as Steve tours on his Alone Again Live album.
Smash Mouth takes us back to The Brady Bunch circa 1973, with “Sunshine Day,” featuring Barry Williams, the original Greg Brady.
Get ready for an incredible lineup from Seattle’s 51st Bumbershoot Arts and Music Festival, this Labor Day weekend.
Tony-nominated smash success Stereophonic delivers a brand-new Broadway cast recording — straight from 1976.
“Lonely Striped Sock,” a tiny fraction of Montreal band PYPY’s upcoming fireball album, Sacred Times, won’t get lost in your dryer, I promise.
Jeremy Glazier caught Jerry Cantrell at the Cedar Rapids stop of his tour with Candlebox and Bush.
In this personal exposé, longtime Ink19 staff writer Christopher Long reveals why after 50 years, he’s still obsessed with 1974. SPOILER: It might have to do with movies, music, and magic.
Mike Campbell and the Dirty Knobs bring a lasting gift of their timeless music to Des Moines, Iowa’s historic Hoyt Sherman Place.
The last major project of the American interstate highway system was also its most expensive and controversial. Ian Koss looks into a podcast series that traces its 30+ year history.
Like fine Italian wine, Lamberto Bava’s splatterfest, Demons, has aged extremely well, and with a 4K presentation, it’s the perfect time to uncork and let it breathe.
Undercrank Productions unveils the previously lost silent feature The Craving, directed by and starring Francis Ford.
If you haven’t already heard about Sugar, Ian Koss will explain why you should keep it that way and just watch the show.
Despite its prominent, pulsating “I Am Woman” drumbeat, Desperately Seeking Something, the debut memoir from celebrated filmmaker Susan Seidelman, is a wonderful and entertaining source of inspiration and encouragement for all readers.
With Last Summer, the 2019 Danish family drama Queen of Hearts is transformed by the unique style of auteur filmmaker Catherine Breillat, marking her first feature film in ten years. Lily and Generoso review Breillat’s intricately nuanced adaptation about a relationship between a stepmother and stepson.
The Universal Fire (Fluff and Gravy). Review by Judy Craddock.
All In: Unreleased & Rarities — The New West Years (New West Records). Review by Jeremy Glazier.
Born Horses (Bella Union). Review by Peter Lindblad.
Collection of Sounds: Vol. 1 (Rhymesayers Entertainment). Review by Peter Lindblad.
On the Intricate Inner Workings of the System (Sub Pop). Review by Julius C. Lacking.
Flight b741 (p(Doom)). Review by Julius C. Lacking.
Can’t Even Hate You (Universal Music Group). Review by Danielle Holian.
Live From BBC Maida Vale (Island Records). Review by Peter Lindblad.
Talkie Talkie (City Slang). Review by Julius C. Lacking.
I’ll Drown On This Earth (Dais Records). Review by Peter Lindblad.
“I’ve Got a Guy 4 That” (BMI / Quintronic Sounds). Review by Rose Petralia.
Delaware (Wharf Cat Records). Review by Peter Lindblad.
Country (Perseids Records). Review by Randy Radic.
Country (Perseids Records). Review by Randy Radic.
The Midnight Cowgirls (Licorice Pizza Records). Review by Christopher Long.
Almost Fiction (Phase 2 Records). Review by Christopher Long.
Still Willing (Bella Union). Review by Peter Lindblad.
Smoke & Fiction (Fat Possum). Review by Steven Garnett.
HARVEST (Mixto Records). Review by Bob Pomeroy.
Resuscitate! (Drag City). Review by Peter Lindblad.
A tale of dissolution and vengeance set in the Old West, told Italian style.
Live at Antones Vol. 1/Pinetop’s Boogie Woogie (New West Records). Review by James Mann.
Mac DeMarco and his crew of misfits brought good tunes and a good time to Portland, Oregon. Alexa Harris was all smiles.
Rio en Medio Radio (WW Recordings). Review by James Mann.