A.J. Croce: Live in Davenport, Iowa
A.J. Croce celebrates the 50th anniversary of his father, Jim Croce’s, three ground breaking albums, with a nationwide tour of Croce Plays Croce.
A.J. Croce celebrates the 50th anniversary of his father, Jim Croce’s, three ground breaking albums, with a nationwide tour of Croce Plays Croce.
High Above Harlesden 1978 - 2023 from On-U Sound collects 60 dub and reggae tracks from Creation Rebel, an astounding set of musicians.
Gerta O. Egy’s beautifully drawn fungi almost eclipse their fairyland habitats in her Mushroom Daydream Coloring Book.
One of the last of the classic wuxia swordplay films stands as a fitting coda to the grand period of the genre. Phil Bailey reviews a new Blu-ray release of the 1975 film The Valiant Ones.
Smash Mouth takes us back to The Brady Bunch circa 1973, with “Sunshine Day,” featuring Barry Williams, the original Greg Brady.
Get ready for an incredible lineup from Seattle’s 51st Bumbershoot Arts and Music Festival, this Labor Day weekend.
Tony-nominated smash success Stereophonic delivers a brand-new Broadway cast recording — straight from 1976.
Jeremy Glazier shoots a CAKE headline show at McGrath Amphitheater.
Fascinated by the arcane world of musical gear, Randy Radic spoke with dyed-in-the-wool gearhead Greg Hoy about his setup on new EP Holy Mother of God, how he produces his unique sound, and a gear-gone-wrong moment.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
First Single “Dump It” from TRF Boog’s forthcoming ME vs ME LP premieres today, at Ink 19.
Not everyone can be excited by blocks spinning on a screen, but if you are, Ian Koss recommends you pay attention to Best of Five.
The final two films in the bonkers Hong Kong action comedy series The Inspector Wears Skirts hit Blu-ray from 88 Films.
A pair of early “girls with guns” action films from superstars Michelle Yeoh and Cynthia Rothrock have arrived from 88 Films.
A very focused memoir of a singular year in Robyn Hitchcock’s early life provides Ian Koss with insight on basement Happenings and more.
A pair of Tinto Brass films from the ’90s reminds viewers we weren’t always so uptight. Phil Bailey gets erotic with All Ladies Do It and Frivolous Lola from the esteemed Italian director.
“Underground Love.” Review by Danielle Holian.
The Complete Friends of Old-Time Music Concert (Smithsonian Folkways Records). Review by Bob Pomeroy.
Redd Kross (In the Red). Review by Charles DJ Deppner.
Desert Run. Review by Bob Pomeroy.
Rhumba Country (New West Records). Review by Steven Cruse.
“Quality Pints” (Sub Pop). Review by Steven Cruse.
Inside Out (Mojotown Records). Review by Randy Radic.
Tipish. Review by Carl F. Gauze.
Trail of Flowers (Rounder Records). Review by Christopher Long.
Something Strange. Review by Carl F. Gauze.
POPtical Illusion (Domino). Review by Bob Pomeroy.
Good Trouble (Palmetto). Review by Bob Pomeroy.
The Return of Tomorrow (At The Dojo Records). Review by Steven Garnett.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
I Love You (Party Mermaid Records). Review by Bob Pomeroy.
Stands for deciBels (Propeller Sound Recordings). Review by Bob Pomeroy.
Harmonimonk (Random Chance Records). Review by Bob Pomeroy.
Duke’s Place (Mercer Hassy Records). Review by Bob Pomeroy.
Broken Telephone (Madjack Records). Review by Randy Radic.
Actually, the quiet is nice (Julia’s War). Review by Steven Cruse.
A tale of dissolution and vengeance set in the Old West, told Italian style.
Live at Antones Vol. 1/Pinetop’s Boogie Woogie (New West Records). Review by James Mann.
Mac DeMarco and his crew of misfits brought good tunes and a good time to Portland, Oregon. Alexa Harris was all smiles.
Rio en Medio Radio (WW Recordings). Review by James Mann.