Over There: Live at the Venue, London - The Complete Concert (Liberation Hall). Review by Bob Pomeroy.

Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.

Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.

Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.

Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.

Live at 55 (Mercury Studios ). Review by Bob Pomeroy.

In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.

Skin Yard Select (C/Z Records). Review by Peter Lindblad.

Faces to Hide (Independent Project Records). Review by Peter Lindblad.

The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.

Bound. Review by Bob Pomeroy.

Undrilling the Hole (TryTone Records). Review by Bob Pomeroy.

Nobody Loves You More (4AD). Review by Peter Lindblad.

Polar Code (Glacial Movements). Review by Carl F. Gauze.

La La La, Whatever (Dromedary). Review by Carl F. Gauze.

J-Horror Rising, a curated collection from the late ’90s and early 2000s, spotlights three lesser-known gems from the influential J-Horror movement. Phil Bailey reviews Carved: The Slit Mouthed Woman, St. John’s Wort, and Inugami.

JINX (Lost in Ohio). Review by Peter Lindblad.

Breaking Stretch (Pyroclastic records). Review by Bob Pomeroy.

Eyes on the Horizon (Long Song Records). Review by Bob Pomeroy.

Traveler (Wide Brim Music). Review by Randy Radic. Featured photo by @annaazarov.