- Archikulture Digest
- October 21, 2018
What if Gilbert and Sullivan did “Chicago” with the cast of “Happy Days”?
Poor Until Payday (Family Owned Records). Review by Jeremy Glazier.
Frozen Flowers Curse the Day (Trace Elements Records). Review by Bob Pomeroy.
The Irresistible Art Of Space Colonization And Its Mutation Implications (Transmutation). Review by Carl F Gauze.
Bloody Spear at Mount Fuji is a surprising take on the Samurai film.
Leonard Cohen and Eric Lerner shared an interest in Zen and much more in their forty-year friendship.
Get Your Groove! (American Showplace Music). Review by Michelle Wilson.
The Eclipse Sessions (New West Records). Review by James Mann.
Horrors of Malformed Men begs for a Midnight Movie release.
Soulfire Live! (Wicked Cool Records). Review by Bob Pomeroy.
New Wave Rockers Midge Ure and Paul Young brought their co-headlining tour to Orlando, and Michelle Wilson was there to enjoy two of her favorites from the ’80s.
High Water I (Eagle Rock Entertainment). Review by Jeremy Glazier.
Shades (Mascot Label Group/Provogue). Review by Michelle Wilson.
My American Dream (Thirty Tigers). Review by Andrew Ellis.
Sound the People (Rhyme & Reason Records). Review by Bob Pomeroy.
Bad Mouthin’ (Yep Roc). Review by David Whited.
Touted as “a charming dark comedy with a vintage vibe,” the directorial debut from Lisa Mikitarian is a clever and quirky, Coen-caliber creation.
Here We Go Love (Here We Go Records). Review by Carl F Gauze.
Strange Conversation (Thirty Tigers). Review by James Mann.
Waterline (Lucky Hound Music). Review by Bob Pomeroy.
Based on true events, The Pyjama Girl Case is a reflective piece of Italian giallo film making.