Ink 19 is the Southeast’s new music source. Since 1991, we’ve been bringing the most exciting music from around the globe to the attention of more than 150,000 readers. Starting as a regional print publication in the Southeast US, Ink 19 is now a website with a global reach.
The original idea was a TV show called Room 19, where strange music would happen. Ink 19 was originally conceived as a program guide. While the TV show never came about, Ink 19 blossomed into a life of its own. (See History)
Ink 19 exists to promote awareness of the best new music, media and thought available today. We do this by publishing intelligent critical analysis of a wide variety of artists’ work, both as fixed media and in the live arena. Additionally, each month we feature thought-provoking essays based around a monthly theme.
We are currently working on developing advertising programs to allow labels, artists, and others to directly sponsor Ink 19‘s efforts. For further information, see our Advertising page.
Check out the Join Us page for more information, then fill out the staff application on there.
See our Editorial page for complete details.
Visit our Contact page and submit a contact form.
Three Colored Wall (Tone Tree Music). Review by Jeremy Glazier.
e.g., rhapsodic (Nouveau Electric Records). Review by Bob Pomeroy.
Eight silent comedies from legendary character actor Edward Everett Horton get the love from Undercrank Productions.
A Tribute to the Subsonics (Mandinga). Review by Julius C. Lacking.
The Scientists have been conducting their Australian experiments in proto-punk for over four decades now, and it’s surprising that they’ve yet to publish in a peer-reviewed journal.
8 Days On The Road (Foghat Records / Select-O-Hits). Review by Christopher Long.
Disney princesses aren’t so happily ever, after after all.
