Ink 19 is the Southeast’s new music source. Since 1991, we’ve been bringing the most exciting music from around the globe to the attention of more than 150,000 readers. Starting as a regional print publication in the Southeast US, Ink 19 is now a website with a global reach.
The original idea was a TV show called Room 19, where strange music would happen. Ink 19 was originally conceived as a program guide. While the TV show never came about, Ink 19 blossomed into a life of its own. (See History)
Ink 19 exists to promote awareness of the best new music, media and thought available today. We do this by publishing intelligent critical analysis of a wide variety of artists’ work, both as fixed media and in the live arena. Additionally, each month we feature thought-provoking essays based around a monthly theme.
We are currently working on developing advertising programs to allow labels, artists, and others to directly sponsor Ink 19‘s efforts. For further information, see our Advertising page.
Check out the Join Us page for more information, then fill out the staff application on there.
See our Editorial page for complete details.
Visit our Contact page and submit a contact form.
Poor Until Payday (Family Owned Records). Review by Jeremy Glazier.
We return to the longest running theatrical Halloween extravaganza in Orlando.
Frozen Flowers Curse the Day (Trace Elements Records). Review by Bob Pomeroy.
The Irresistible Art Of Space Colonization And Its Mutation Implications (Transmutation). Review by Carl F Gauze.
Bloody Spear at Mount Fuji is a surprising take on the Samurai film.
Leonard Cohen and Eric Lerner shared an interest in Zen and much more in their forty-year friendship.
Two men play 8 characters, and a staff of stage hand ghosts build a campy comedy of British faded nobility banished to the moorlands for the crimes of poverty and aristocracy.
Get Your Groove! (American Showplace Music). Review by Michelle Wilson.
Let’s visit an America attacked by birds that peck us to death at high tide. Not sure how things are going in Phoenix.
Basso-tenor Dustin Cunningham hits the low notes in this very masculine evening of cabaret.