Orange Blossom Revue
Ink 19’s Nancy Garmer takes a sweet little drive through orange trees and junk shops, winding up in the Highwaymen painting that is Lake Wales, Florida’s Orange Blossom Revue — and then there’s the music, too.
Ink 19’s Nancy Garmer takes a sweet little drive through orange trees and junk shops, winding up in the Highwaymen painting that is Lake Wales, Florida’s Orange Blossom Revue — and then there’s the music, too.
The Orcish Eclipse (Metalverse). Review by Carl F. Gauze.
Quinnie opens for The Japanese House at Wooly’s in Des Moines, Iowa, Jeremy Glazier’s favorite road trip.
In this final installment of his year-long series, Christopher Long rediscovers a true pop-rock treasure — a well-loved, six-dollar vinyl copy of Sound Magazine, the 1971 stinger from The Partridge Family.
Nothing says holiday spirit like an all-out banger with the workmates you avoid from 9 to 5.
Partly Cloudy (SQFT Records). Review by Bob Pomeroy.
After a decades-long pursuit, this week Christopher Long FINALLY discovers and brings home a TRUE gem — an extremely clean vinyl copy of Squeezing Out Sparks, the 1979 classic from Graham Parker — on the cheap.
Tiedtke Theatre and Dance Centre at Rollins College hosts a groundbreaking one-of-a-kind theatrical baptism based on Ovid’s Metamorphoses.
Carl F. Gauze digs into one man’s journey through the glory days of rock and roll in Time Has Come Today: Rock and Roll Diaries 1967 – 2007, a venture that turns out to be quite the trip, when that man is Harold Bronson, Rhino Records co-founder and obsessive diarist.
Earl is about to learn the Graboids have evolved and are deadlier than ever! Tremors 2: Aftershocks, the 1996 film by the original Tremors creative team, gets a 4k restoration for modern audiences.
RAT WARS (Loma Vista Recordings). Review by Steven Cruse.
Joe Stamm opens for Chris Knight at First Avenue Club in Iowa City, Iowa, and the audience is there for absolutely all of it.
This week Christopher Long is gifted a slightly scuffed, original vinyl pressing of Now & Then, the classic 1973 LP from the Carpenters, FOR FREE!
Just in time for the heavy metal Christmas shopping season, European author Alexandros Anesiadis delivers his latest — a thorough and riveting encyclopedia-type account of the hard-working DIY American bands that created an important underground music scene that’s well worth remembering.
In a beautiful testament to Peter Weir’s vision, the director’s 1985 classic, Witness, gets a fresh restoration from Arrow Video.
When Joe Bonamassa comes to town, Jeremy Glazier is there.
Ready for a cold one this season? We thought so! Enjoy, as Christopher Long reflects on his favorite VINYL releases of 2023 — an intoxicating (and satisfying) “six-pack,” to be sure.
Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.
Carl F. Gauze takes in See You at the Movies, another exciting Winter Park Playhouse Spotlight Cabaret featuring Orlando’s own Tay Anderson.
A small town woman finds peace with her family in Rachel Hendrix, part of the 2024 Florida Film Festival, an Oscar®-qualifying festival now in its 33rd year.
Look to the East, Look to the West (Merge Records). Review by Bob Pomeroy.
Christopher Lee presides over sex and torture in Jess Franco’s exploitation gem, Night of the Blood Monster now in 4K!
An idyllic campground filled with interesting people faces destruction in Happy Campers, part of the 2024 Florida Film Festival, an Oscar®-qualifying festival now in its 33rd year.
An American success story of rum and sex and hula dancing. The Donn of Tiki was part of the 2024 Florida Film Festival, an Oscar®-qualifying festival now in its 33rd year.