Kasey Anderson
Dead Roses (Resonant Noise). Review by Aaron Shaul.
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Dead Roses (Resonant Noise). Review by Aaron Shaul.
Nightbird (Mute). Review by Ben Varkentine.
Character Assassins (Wantage USA). Review by Carl F Gauze.
The Caitiff Choir (Trustkill Records). Review by Daniel Mitchell.
Why Don’t We Talk About Something Else (Rainbow Quartz). Review by Aaron Shaul.
The Tipping Point (Geffen Records). Review by Tim Wardyn.
Butterfly 9 (GCG). Review by Andrew Ellis.
13 & God (Anticon/Alien Transistor). Review by Kiran Aditham.
Trampled Under Hoof (Southern Lord). Review by Daniel Mitchell.
Already Home (Wilshire Music). Review by Andrew Ellis.
Here Comes Everyone (Polyvinyl). Review by Aaron Shaul.
Freeze! (Coalition Records). Review by Carl F Gauze.
Unbreakable (Sanctuary). Review by Andrew Ellis.
Getting Away With Murder (Interscope). Review by Andrew Ellis.
Kuutarha (Locust). Review by Aaron Shaul.
We Are Not Alone (Hollywood). Review by Tim Wardyn.
Knuckle Down (Righteous Babe). Review by Jen Cray.
The High School Reunion (Fastmusic/Caroline). Review by Al Pergande.
My Favorite Songwriters (Five One). Review by Aaron Shaul.
Cultural Norms (Hush). Review by Aaron Shaul.
Three strong women oust their evil boss and bring reasonable policies to the workplace in this hit musical.
Marvelous martial arts masterpiece To Kill a Mastermind is finally released from the Shaw Brothers’ vault.
Possessing all the coziness of a gawk-worthy car crash, Permanent Damage, the salacious memoir from the notorious, outrageous “groupie” Miss Mercy Fontenot and celebrated pop culture journalist Lyndsey Parker, provides a surprise payoff.
Michelle Wilson soaks up the jam band vibes when Warren Haynes Band brings their Million Voices Whisper Tour to Jacksonville.