Frank Black and the Catholics
Frank Black and the Catholics (Spin Art). Review by Matthew Moyer
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Frank Black and the Catholics (Spin Art). Review by Matthew Moyer
Lollo Rosso EP (V2). Review by Carl Glaser
Little Pieces: 1993-1995 (Shanachie). Review by Julio Diaz
For All the Beautiful People (Beggars Banquet). Review by brYan Tilford
Hello Rockview (Capitol). Review by Andrew Chadwick
Dizzy Up the Girl (Warner Bros.). Review by Michael Crown
Experiment Below (Mute). Review by drew West
Various Artists (AlphaWave/Cleopatra). Review by drew West
Restless and Dead (Necropolis). Review by Jeremy Wernow
US Songs (Revelation). Review by Keith Mercer
Absent Lovers (Discipline Global Mobile Recordings). Review by brYan Tilford
Split 10” (Crank!). Review by Andrew Chadwick
From The Archives – Vol II (Zebra). Review by David Whited
It’s All Just the Same (Sire). Review by brYan Tilford
El Concepto (PolyGram). Review by Randy Luna
En Concert (Tinder). Review by Sarah Ludwig
Florida Fucking Hardcore (Schematics). Review by Andrew Chadwick
Various Artists (Fridge). Review by drew West
Various Artists (Bullseye/Rounder). Review by Patrick Ellmann
A Global Ska Sampler (Moon SKA NYC). Review by Julio Diaz
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.