Broken Records
Let Me Come Home (4AD). Review by Jeff Schweers.
Let Me Come Home (4AD). Review by Jeff Schweers.
Lost footage of David Bowie highlights awkward interviews and a general astonishment by the press at his constantly changing persona. Heh heh.
Ink 19 is proud to host a roundtable discussion on the significance of Andrew W.K. Is he pop’s first “demi-ironist,” or does he just plain “suck”? Christopher R. Weingarten, M. David Hornbuckle, and Ned Davis explore the possibilities in a spirited debate.
It’s time to party, as Gail Worley gets Wet with Andrew W.K., America’s next big thing, and the man NME called “The Saviour of Music.”
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.