Drowningman
Learn To Let It Go (Law of Inertia). Review by Addam Donnelly.
Learn To Let It Go (Law of Inertia). Review by Addam Donnelly.
Trampled Under Hoof (Southern Lord). Review by Daniel Mitchell.
My Favorite Songwriters (Five One). Review by Aaron Shaul.
You Fail Me (Epitaph). Review by Daniel Mitchell.
Somnambulists (Iodine). Review by Addam Donnelly.
Sirens (Revelation). Review by Nicholas Plante.
Sirens (Revelation). Review by Nicholas Plante.
You Come Before You (Atlantic). Review by Daniel Mitchell.
Various Artists (Buddyhead / Nettwerk). Review by Daniel Mitchell.
The Fiction We Live (Vagrant). Review by Nick Plante.
Antenna (RCA / BMG). Review by Stein Haukland.
When Broken Is Easily Fixed (Victory). Review by Margie Libling.
Beggar 7” (McCarthyism). Review by Daniel Mitchell.
Margie Libling talks rock, wrasslin’, and world domination through fashionable bathrobes with the boys from From Autumn to Ashes.
We Are the Only Friends We Have (Big Wheel Recreation). Review by Margie Libling.
Seminar II: The Holy Rites of Primitivism Regressionism and Seminar III: Zozobra (Tortuga). Review by Nathan T. Birk.
This is the future of ’70s arena rock, Heavy Metal now. Cheap Trick as filter…
Creative Eclipses EP (HydraHead). Review by Keith Mercer
Event Review by Andrew Chadwick
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!