Complexity #2 (KOS Recordings). Review by Eric J. Iannelli.
Metasaxophone Colossus (Innova). Review by Eric J. Iannelli.
Equilibrium (Thirsty Ear). Review by Jan Mantovani.
Sustain (Thirsty Ear). Review by Eric J. Iannelli.
A side of jazz ignored by Ken Burns’ documentary is explored in Philip Freeman’s new book, New York is Now!: The New Wave of Free Jazz. But is the book any more valid a document of jazz than Burns’ film was? Bob Pomeroy has the answers.
Bob Pomeroy waxes enthusiastic about the stylistic shifts and free improvisational spirit that marked David S. Ware’s Corridors & Parallels record.
Recently on Ink 19...
Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.
Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.