Bright Orange
Killer Lake (Infintesmal). Review by Matthew Moyer.
Killer Lake (Infintesmal). Review by Matthew Moyer.
Fans of cutting-edge electronic music most likely have Michael Rother to thank. Rother was one of the prime movers in a German music scene, dubbed krautrock, that still sets the standard for exciting, weird, and groovy music. Ink 19 had the pleasure of chatting with Rother, who seems as comfortable with creating new music as he is with being a careful archivist of the music and legacy of his previous bands.
Shrinebuilder (Neurot Recordings). Review by Matthew Moyer.
Tracks and Traces (Gronland/High Wire). Review by Matthew Moyer.
Musical duos have become their own genre, much in the same way the Beatles helped define the bass, drums, guitars rock quartet. Matthew Moyer looks inside the husband/wife duo of Lullatone to explore the seriousness of toy instruments and just how much babies love Busta Rhymes.
Gail Worley gets the definitive interview out of Secret Machines’ feisty drummer Josh Garza. She calls them a grunge Be Bop Deluxe, but in a good way.
Primary Colours (Beggars/XL Records). Review by Matthew Moyer.
Eyes at Half Mast (Arena Rock Recording Co.). Review by Logan Owlbeemoth.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.