Bright Orange
Killer Lake (Infintesmal). Review by Matthew Moyer.
Killer Lake (Infintesmal). Review by Matthew Moyer.
Fans of cutting-edge electronic music most likely have Michael Rother to thank. Rother was one of the prime movers in a German music scene, dubbed krautrock, that still sets the standard for exciting, weird, and groovy music. Ink 19 had the pleasure of chatting with Rother, who seems as comfortable with creating new music as he is with being a careful archivist of the music and legacy of his previous bands.
Shrinebuilder (Neurot Recordings). Review by Matthew Moyer.
Tracks and Traces (Gronland/High Wire). Review by Matthew Moyer.
Musical duos have become their own genre, much in the same way the Beatles helped define the bass, drums, guitars rock quartet. Matthew Moyer looks inside the husband/wife duo of Lullatone to explore the seriousness of toy instruments and just how much babies love Busta Rhymes.
Gail Worley gets the definitive interview out of Secret Machines’ feisty drummer Josh Garza. She calls them a grunge Be Bop Deluxe, but in a good way.
Primary Colours (Beggars/XL Records). Review by Matthew Moyer.
Eyes at Half Mast (Arena Rock Recording Co.). Review by Logan Owlbeemoth.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.