The glass bottom boat of the cultural press
With her days in Sarge behind her, Elizabeth Elmore is dividing her time between law school and trying to make it as a solo artist. Phil Bailey caught her in a rare open moment to discuss going solo, vegetarianism, Matlock, and why she thinks the “women’s music” movement sucks.
Kathleen LaGue, with Invisible Cowboy at Earthsavers in Covington, Louisiana on October 21, 2000. Concert review and photos by Phil Bailey.
Self-proclaimed “solo artist” Kathleen LaGue isn’t what you’d expect from the typical singer/songwriter out of Nashville. Phil Bailey spoke to the fashion model turned rocker about her use of the Internet to market herself, the Roxygen on Oxygen competition, and the travails of doing it all yourself.
Even though I had seen Kathleen LaGue play a solo acoustic set, it hadn’t pre…
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.