Some Girls
Heaven’s Pregnant Teens (Epitaph Records). Review by Matthew Moyer.
Heaven’s Pregnant Teens (Epitaph Records). Review by Matthew Moyer.
Cavity Search (Three One G). Review by Carl F Gauze.
The Weed Tree (Locust). Review by Aaron Shaul.
Pre-Existence (Locust). Review by Aaron Shaul.
This is Not an Erect, All-Red Neon Body (No Idea). Review by Daniel Mitchell.
Kuutarha (Locust). Review by Aaron Shaul.
Follow the Flock, Step in Shit (Three One G). Review by Daniel Mitchell.
Queen Hygiene II / Rough Day At The Orifice (Three.One.G). Review by Stein Haukland.
Gems of Masochism (Three.One.G). Review by Stein Haukland.
Genocide (Candlelight). Review by Daniel Mitchell.
Back Porch Hillbilly Blues Vol. 1 (Locust ). Review by Aldo McFurtive.
Tristeza create beautiful, lush soundscapes, using jazzy tempos and undestated guitars to create a deam-like atmosphere. Marcel Feldmar met with Jimmy LaValle and Luis Hermosillo to find out how they do it.,
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.