Alasdair Roberts
The Wyrd Meme (Drag City). Review by Aaron Shaul.
The Wyrd Meme (Drag City). Review by Aaron Shaul.
Log in Eye (Seksound). Review by Aaron Shaul.
David Thomas Broughton vs. 7 Hertz (Acuarela). Review by Aaron Shaul.
Plain Songs (Arbouse). Review by Aaron Shaul.
Dull Lights (Constellation). Review by Aaron Shaul.
Rip Through the Hawk Black Night (High Two). Review by Aaron Shaul.
First Light’s Freeze (Asthmatic Kitty). Review by Aaron Shaul.
Liz Janes & Create(!) (Asthmatic Kitty). Review by Aaron Shaul.
Everything’s a Love Letter (Preservation). Review by Aaron Shaul.
Why Do You Do? (Gringo). Review by Aaron Shaul.
Kuutarha (Locust). Review by Aaron Shaul.
Life & Love in Sparrow’s Meadow (Jagjaguwar). Review by Aaron Shaul.
Is All Over the Map (Thrill Jockey). Review by Aaron Shaul.
Underachievers Please Try Harder (Merge). Review by Aaron Shaul.
post-rock,rural,experimental folk,avant-garde,Califone,Heron King Blues,Thrill Jockey,Aaron Shaul
Heron King Blues (Thrill Jockey). Review by Aaron Shaul.
indie-pop,scotland,pop,twee,retro,Camera Obscura,Underachievers Please Try Harder,Merge,Aaron Shaul
The Sand and the Stars (Drag City). Review by Aaron Shaul.
The Sand and the Stars (Drag City). Review by Aaron Shaul.
Airs Above Your Station (Sub Pop). Review by Eric J. Iannelli.
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.