Mean Girls
Music From the Motion Picture (Ryko). Review by Aaron Shaul.
Music From the Motion Picture (Ryko). Review by Aaron Shaul.
Music From The Motion Picture (Sony Music Soundtrax). Review by Carl F Gauze.
Music From the Motion Picture (Lion’s Gate). Review by Ian Koss.
Music From the Motion Picture (Decca/ Universal). Review by Vanessa Bormann.
Music From the Motion Picture (Hollywood). Review by Alice Barkwell.
Music From the Motion Picture (Beyond). Review by Vanessa Bormann.
Music From the Motion Picture (Republic/Universal). Review by Julio Diaz.
Music From the Motion Picture (Lakeshore). Review by Kiran Aditham.
If you’re a Randy Newman fan, then run, don’t walk to get this album. If you …
Not having seen the motion picture, I cannot offer an opinion as to how well …
It’s been a long time coming for a disc with so much soul. Jam-packed with ev…
Soundtrack albums are supposed to do only one thing: generate more revenue fo…
Being the proud father of a beautiful four-month old baby girl means that I’m…
I can’t speak for the movie, for I haven’t seen it yet, but I can reassure yo…
There seems to be an awful lot of fuss about this film, and specifically abou…
Road Trip/Titan A.E./Gone in 60 Seconds (Ink 19, July 2000)
Music from the Motion Picture (Columbia). Review by Patrick Rafter
Music from the Motion Picture (Giant/Reprise). Review by Ian Koss
Music From the Motion Picture (Warner). Review by Nirav Soni
Music From the Motion Picture (Sire). Review by Lisa Olen
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.