Tom Heasley & Toss Panos
Passages (Full Bleed Music). Review by Aaron Shaul.
Passages (Full Bleed Music). Review by Aaron Shaul.
Recurring Dream and Apocalypse of Darkness (Important). Review by Aaron Shaul.
IIIrd Gatekeeper (Crucial Blast). Review by Aaron Shaul.
Descension (Acuarela). Review by Aaron Shaul.
Infinite Delay (Stickfigure). Review by Aaron Shaul.
Nam Myo Ho Ren Ge Kyo (Ace Fu). Review by Aaron Shaul.
Monster of the Absolute (Strange Attractors). Review by Aaron Shaul.
Vessel States (Jagjaguwar). Review by Aaron Shaul.
Iao Chant from the Cosmic Inferno (Ace Fu). Review by Aaron Shaul.
A Thousand Shades of Grey (Funfudervierzig). Review by Aaron Shaul.
The Red Veil (Strange Attractors). Review by Aaron Shaul.
The Equatorial Stars (Discipline Global Mobile). Review by Aaron Shaul.
Don’t Climb on and Take the Holy Water (Strange Attractors). Review by Aaron Shaul.
Satin Black (Strange Attractors). Review by Aaron Shaul.
Dragyyn (Strange Attractors). Review by Aaron Shaul.
Crickets and Fireflies (Music Fellowship). Review by Aaron Shaul.
The Orson Fader (Clairecords). Review by Daniel Mitchell.
55th Anniversary Super Deluxe Double LP (Don Giovanni Records). Review by Carl F. Gauze.
Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Ink 19’s Stacey Zering talks with writer Doug Bratton, who takes us inside his indie murder mystery comic book series, Isolation.
On today’s show, Charley Deppner, Eszter Balint, and Pat Greene enjoy a discussion of terror, punk rock, and the duality of musical genius.
In this episode, Jeremy Glazier talks with Tim Bluhm and Greg Loiacono of The Mother Hips, just as their entire back catalog is released on vinyl in partnership with the Blue Rose Foundation.
This week, savvy shopper Christopher Long scores an abused vinyl copy of The Long Run, the 1979 Eagles classic, from a local junkie for a pack of smokes and a can of pop.
Black Holes Are Hard to Find (Nemu Records). Review by Carl F. Gauze.
Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.