Round Eye
Culture Shock Treatment (Paper and Plastick). Review by Julius C. Lacking.
Culture Shock Treatment (Paper and Plastick). Review by Julius C. Lacking.
40 years down the road and Flipper remains a lovingly overwhelming evening, with David Yow on vocals.
The Horror (Sacred Bones). Review by Matthew Moyer.
Scramble (Suicide Squeeze). Review by Matthew Moyer.
Big Business delivered a ::beep:: of a rock show in Jacksonville, according to Scott Adams , even if the majority of the audience was too busy texting one another to have realized it.
Fake Fake (Modern Radio Records). Review by Matthew Moyer.
Scott Adams travelled all the way to Chicago to scope out the veteran indie label’s birthday. And with Big Black , Scratch Acid and the Didjits , amongst other label mainstays, reforming just for the event, there was no way he would leave disappointed.
We Are All Sluts of Trust (Chemikal Underground). Review by Matthew Moyer.
Pretest (Relapse Records). Review by Daniel Mitchell.
Yahweh or the Highway (Skin Graft). Review by Nathan T. Birk.
Debra Byrd transforms from an abused ghetto girl to a powerful icon of feminism in her one-woman show, Becoming Othello: A Black Girl’s Journey. Look upon her, and tremble.
Charles DJ Deppner takes a look at a new book of artwork by DEVO’s Mark Mothersbaugh, and discovers the book is actually looking back at him.
Kid Congo & The Pink Monkey Birds’ “Wicked World” video features Alice Bag, previews That Delicious Vice, out April 19 on In The Red Records.
Despite serving up ample slices of signature snark, FOX News golden boy Jesse Watters, for the most part, just listens — driving the narrative of his latest book, Get It Together, through the stories of others.
Brooklyn rapper Max Gertler finds himself a bit ground up on “Put My Heart in a Jay,” his latest single.