The Loudmouths approximate the sound of California, circa-’78 so thoroughly that you have to wonder if they stumbled upon a time machine — snotty, buzzsaw punk-a-go-go. If you’re going recreate the past, make like the Loudmouths and do it well.
The multi-instrumentalist opens up on influences that shaped his The Griot Swings the Classics.
Veils of Winter (Riding Easy Records). Review by Carl F. Gauze.
Cut the Rope (Pirate’s Press Records). Review by Scott Adams.
The Bakersfield Sound (Bear Family Productions). Review by James Mann.
For the fifth straight year, Lily and Generoso assess a selection of new features from the eclectic program at AFI FEST, Los Angeles’ most prominent film festival.
Legendary Rock Photographer Bill O’Leary snapped darn near every band of note in the past forty years. Float down memory lane from Zappa to Alice Cooper.
Interview by Gail Worley
Event Review
Well, I’m officially old. If the advent of "old wave" nights and "retro flash…
On Parade (Too Pure). Review by Aaron Shaul.
In Concert Live In Galway (Shamtown). Review by Carl F Gauze.
Andrea Thompson analyzes 7 things bands do to sabotage their careers before they’re even off the ground.
Wolves With Pretty Lips (Suicide Squeeze). Review by Aaron Shaul.
King of Missouri (Bongo Beat). Review by Bob Pomeroy.
Monk In Paris: Live At The Olympia (Thelonious/Hyena). Review by Ben in Seattle.
Speculation (Domino Recording Co). Review by Carl F Gauze.
Readymades (Republic / Universal). Review by Stein Haukland.
Hand of the Martyr (Eulogy). Review by Daniel Mitchell.
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