The Loudmouths approximate the sound of California, circa-’78 so thoroughly that you have to wonder if they stumbled upon a time machine — snotty, buzzsaw punk-a-go-go. If you’re going recreate the past, make like the Loudmouths and do it well.
Top Broadway hits on the intimate Breakthrough stage.
Kate Zaloumes and Lindsay Nancz serenade us with pop and Broadway as they sparkle in front of Chris Levey’s piano.
The Plea (Young Mary Records). Review by Jeremy Glazier.
A young man rescues a die bar by learning drag and selling it in Panama City Florida. This takes balls, but they have to be taped up.
A classic study of women’s rights in 1870’s Denmark when the woman was still chattel.
A demon overtakes a Christian puppet troupe, upsetting next week’s Sunday service.
Suspended in Reflections (Pelagic Records). Review by Carl F Gauze.
Deep Exchange (Pangea Recordings). Review by Carl F Gauze.
Jen Cray catches Circa Survive frontman Anthony Green’s intimate Orlando show, where only tentative steps are taken away from his signature crowd-pleasing sound.
Livin’ With L.E.S. (Tent City). Review by Marcel Feldmar.
Steve Stav offers his personal musical recipe for love, culling from various music genres and eras, to get your Valentine’s Day headed in the right direction. What, no Barry White?
The Physical Being (Life In Sodom). Review by David Lee Beowülf
Voices (Metropolis). Review by Geoff Baumgartner
Screen Review by Steven Garnett
Interview by Gail Worley
To say Bobby Keys was the greatest rock ‘n’ roll sax player is to damn him with faint praise.
Local Anesthetic (Smooch Records). Review by Scott Adams.
Hey guys! Feeling a bit, er, inadequate in the sack? Rose Petralia gives you the fleshy scoop on an instructional video that’s guaranteed to have you and your partner’s watermelons exploding.
Various Artists (Last Beat). Review by Kiran Aditham.
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