POPtical Illusion (Domino). Review by Bob Pomeroy.

Good Trouble (Palmetto). Review by Bob Pomeroy.

The Return of Tomorrow (At The Dojo Records). Review by Steven Garnett.

Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.

A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.

With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.

Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.

The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.

Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.

I Love You (Party Mermaid Records). Review by Bob Pomeroy.

Stands for deciBels (Propeller Sound Recordings). Review by Bob Pomeroy.

Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.