Fast, powerful, and positive hardcore music from these Florida boys, who can at times resemble Sick of It All, but mostly generate some non-generic sounds in an often generic-sounding genre.
Revelation Records, P.O. Box 5232, Huntington Beach, CA 92615; http://www.RevHQ.com
America’s favorite anti-heroes shoot their way out of life and into the the realms of history in Theater West End’s Bonnie & Clyde.
Yacht Rock Revue sailed smoothly into Orlando, and Michelle Wilson climbed aboard for a light rock extravaganza.
Electronic music creator Herb Deutsch looks back to the early days of synthesizers in the first installment of Moog’s original series, GIANTS.
Don’t Let The Sunlight Fool Ya (Pirate Press Records). Review by Bob Pomeroy.
Brown Acid: The Fourteenth Trip (Riding Easy Records). Review by Carl F. Gauze.
It takes love to break a curse, at least in the land of Disney.
Beth Hart blew the roof off The Plaza Live in Orlando, Florida with a sold-out performance. Michelle Wilson has the full recap.
Americana Railroad (Renew Records). Review by Carl F. Gauze.
Seven Swans (Sounds Familyre). Review by Aaron Shaul.
Remembering John Lee Hooker (Blue Storm). Review by James Mann.
Lickity Split (The Telegraph Company). Review by Bob Pomeroy.
Garrison Fewell explores the meaning of spirituality and jazz improvisation in 25 conversations with modern jazz greats.
Various Artists (Vanguard). Review by Sean Slone.
Greatest Hits: Songs from the South Volumes 1 & 2 (Gawd Aggie Recordings/ Universal). Review by Tim Wardyn.
Highway Companion (American). Review by Jen Cray.
Useful Music (SMG). Review by Lisa Olen
Event Review by Gail Worley
Geogaddi (Warp). Review by Matt Cibula.
Nothing Comes Free (self-released). Review by Stein Haukland.
Lost Wisdom (PW Elverum and Sun). Review by Matthew Moyer.
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