Fast, powerful, and positive hardcore music from these Florida boys, who can at times resemble Sick of It All, but mostly generate some non-generic sounds in an often generic-sounding genre.
Revelation Records, P.O. Box 5232, Huntington Beach, CA 92615; http://www.RevHQ.com
One of the most highly regarded works to screen at this year’s Locarno Film Festival was Quý Minh Trương’s The Tree House (Nhà cây), a documentary that dramatically utilizes a science fiction lens to simultaneously examine the cultures of multiple ethnic groups in Vietnam while compelling the audience to question the contemporary importance of visual documentation.
Continuous Pleasures (Arevarc Records). Review by Bob Pomeroy.
Sleeping your way to the top is one thing, but killing your way up there works a just as well.
A writer hits a dry spell and then murders his wife, all in the name of making a hit.
Campers freak out when a murderer is on the loose and they have no cell phone reception.
They’re Coming For Me (Hi-Style / Free Dirt). Review by Bob Pomeroy.
Under The Wheels: Live From The Coasts, Volume 1 (Silver Current Records). Review by Michelle Wilson.
Sugar Drops (Red House Records). Review by Michelle Wilson.
A young girl finds love in the wrong place and ends up as a tree.
Interview by Ed Furniture
Interview by Matthew Moyer
The Greatest White Liar (New West). Review by Sean Slone.
It’s a macho-fueled comedic take on the ’80s TV drama, The Dukes of Hazzard with revved up motors, sex and car crashes. But you knew that. As does Rob Levy.
The Air Salesman (International Hits). Review by Jen Cray.
Woody Guthrie and Songs of My Oklahoma Home (Cimarron). Review by David Whited
Electric Love Vol. 1 (Serenitia). Review by Stein Haukland.
Inklings (El deth). Review by Jeff Schweers.
Don’t let the blinding sun of the tropics fool you. Daniel Chavarria’s new novel is prime Caribbean noir. Sheila Scoville adjusts her sunglasses and observes the bodies piling up.
The Future That Was (Artemis). Review by Sean Slone.
Ravenous (Metal Blade). Review by Nathan T. Birk.
Fluid Freedom and Dreim (Kracfive). Review by Nirav Soni.
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