Music Reviews

Burn Witch Burn

Burn Witch Burn

Razler

Before the name Burn Witch Burn paints itself too gothic a portrait, do note that the group contains Rodney Linderman, a.k.a. Rodney Anonymous from the Dead Milkmen. Not so dreary anymore, eh? Although the music is hardly reminiscent of his Milkmen days, it isn’t that far-fetched that a man partly responsible for lyrics you couldn’t expect would involve himself with a group you couldn’t expect either – and that is, without a doubt, the oddly ancient-sounding Burn Witch Burn.

On the more somber side of music, Burn Witch Burn pigeonhole themselves as “American Gothic” and, with songs about hanging and assisted suicide, could not deserve it more. This is a collection of old styles and old instruments that stretch back into the 1700s, including a variety of Celtic, Italian and bluegrass influences and the occasional modern punkish mentality. Although a hidden smirk will often shine through the shadowy texture the group’s combination of modern songwriting and ancient ingredients produce, the final product is nothing short of oddly interesting, not to mention that they whip up a version of the Rolling Stones’ “Citadel” that the folks in The Canterbury Tales would like. Burn Witch Burn may be gothic in nature, but it’s historical in context and, most likely, like nothing you’ve heard before.

Razler Records, 2300 Walnut St., No. 612, Philadelphia, PA 18103; http://www.razlerrecords.com


Recently on Ink 19...

AFI Fest 2024

AFI Fest 2024

Event Reviews

For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.

Featured photo courtesy of AFI Fest.

C.L. Turner of Arctic Wave

C.L. Turner of Arctic Wave

Interviews

Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.

Featured image courtesy of Present PR

Wand

Wand

Music Reviews

“Help Desk”/”Goldfish” EP (Drag City). Review by Peter Lindblad.