Music Reviews
Bambix

Bambix

What’s in a Name

Daemon

Bambix is a female-led Dutch punk band who’ve thoroughly studied every page of the Bad Religion fakebook, right down to the number-string riffs and Greg Graffin’s idiosyncratic enunciation. It should be a winner, but after a couple rounds into What’s in a Name I’ve come up shrugging. I think the problem lays mostly on my end; I’ve simply outgrown this genre of music. I would’ve eaten this stuff up in high school though…

Singer/guitarist Willia van Houdt has a great rough-but-not-ragged voice for punk, with a snarl that feels far more London than Amsterdam. She sports a limitless array of hooks and riffs to throw together; it sounds a little same-y, but that’s the nature of today’s punk. The only somewhat adventurous track, “Loch Ness,” features a brief flourish of banjo, but this still follows in the wake of Flogging Molly, etc. It’s good, standard stuff that’s not for me, but the kids out there could be listening to much worse.

Daemon: http://www.daemonrecords.com


Recently on Ink 19...

Alice, Sweet Alice

Alice, Sweet Alice

Screen Reviews

Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.

Garage Sale Vinyl: The Bee Gees

Garage Sale Vinyl: The Bee Gees

Garage Sale Vinyl

In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.

Bonnie Raitt

Bonnie Raitt

Event Reviews

All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.

The Loft

The Loft

Music Reviews

Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.