Noori & His Dorpa Band
- Music Reviews
- July 5, 2022
Beja Power! Electric Soul and Brass from Sudan’s Red Sea Coast (Ostinato Records). Review by Bob Pomeroy.
Growing Up (Epitaph). Review by Bob Pomeroy.
Jim Saah documented the D.C. hardcore scene with training from a high school photography class, capturing energy and excitement with a natural sense of technique and art.
Street Venom (Suicide Squeeze). Review by Scott Adams.
Marc Wasserman gives us an oral history of American Ska. Bob Pomeroy reviews.
9th and Walnut (Epitaph). Review by Scott Adams.
The Crew (Trust Records). Review by Scott Adams.
Body of Work (1990-1995) (Don Giovanni ). Review by Scott Adams.
Documentary on the Washington, D.C. punk scene, with a focus on the earlier years.
Destiny Street Complete (Omnivore Recordings ). Review by James Mann.
A low budget Japanese art film about punks, drag racing and teenage rebellion.
The Coathangers (Suicide Squeeze). Review by Scott Adams.
Group Sex (Trust Records). Review by Scott Adams.
Punk rock takes the stage in a teen angst revolution against…whatever kids are revolting against today.
Seance (Fullertone Records). Review by Scott Adams.
Here’s your chance to color inside the lines while reading the story of an artist who never stayed inside the lines, G.G. Allin.
Kooky Spooky In Stereo (Gloopy Records). Review by Carl F. Gauze.
Brace Yourself (Pirate’s Press). Review by Scott Adams.
Cum on Feel the Hitz (BMG). Review by Scott Adams.
Live at Goose Lake, August 8th, 1970 (Third Man Records). Review by Scott Adams.
Fake Names (Epitaph). Review by Scott Adams.