Month: July 2008

The Walkup

Music Reviews

Down On Pacific (Reynolds Recording Co.). Review by Jen Cray.

WALL•E

Screen Reviews

An A-dorable robot attempts to save Earth and win his lady love. Julie Haverkate is surprised by WALL E’s order of priorities, and she thinks you will be too.

Goldfrapp

Music Reviews

Seventh Tree (Mute Records). Review by Matthew Moyer.

pacific UV

Interviews

Matthew Moyer gets all dreeeeeeeamy with Portland’s upstart dreampop army, pacific UV. They’ve just released an album that rivals Sigur Ros for lushness - what’s next?

Arthur Lyman

Music Reviews

Bwana A / Bahia (Collectors’ Choice Music). Review by Carl F Gauze.

Amazing

Truth to Power

Amazing - posted by James Mann on July 11, 2008 05:04

Peter Himmelman

Interviews

Peter Himmelman’s longevity in the music business is proven, and his reggae-flavored The Pigeons Couldn’t Sleep showcases the versatility and range his success is built on. Ink 19 is pleased to speak with Peter about his new project, his past, and his future.

Recently on Ink 19...

Joe Jackson

Joe Jackson

Event Reviews

Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.

Matías Meyer

Matías Meyer

Interviews

With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.

Mostly True

Mostly True

Print Reviews

Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.

The Tin Star

The Tin Star

Screen Reviews

Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.

Flipside

Flipside

Screen Reviews

Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.