Mike Meehan is a knuckle-dragging moron
Mike Meehan is a knuckle-dragging moron - posted by James Mann on July 16, 2008 06:07
Mike Meehan is a knuckle-dragging moron - posted by James Mann on July 16, 2008 06:07
US out of green zone by end of year? - posted by James Mann on July 16, 2008 05:49
Now we have a tire nanny - posted by James Mann on July 16, 2008 05:45
Down On Pacific (Reynolds Recording Co.). Review by Jen Cray.
South Carolina don’t want none of that gay money - posted by James Mann on July 15, 2008 06:01
Fly the blind skies? - posted by James Mann on July 15, 2008 05:49
One million of us are terrorists - posted by James Mann on July 15, 2008 05:45
An A-dorable robot attempts to save Earth and win his lady love. Julie Haverkate is surprised by WALL E’s order of priorities, and she thinks you will be too.
Seventh Tree (Mute Records). Review by Matthew Moyer.
Just another law breaking Bushie - posted by James Mann on July 14, 2008 07:19
So we’re twice as broke as last year? - posted by James Mann on July 14, 2008 07:11
Die, Mommy, Die! - posted by Carl Gauze on July 14, 2008 00:06
My Illustrious Wasteland - posted by Carl Gauze on July 12, 2008 21:05
Matthew Moyer gets all dreeeeeeeamy with Portland’s upstart dreampop army, pacific UV. They’ve just released an album that rivals Sigur Ros for lushness - what’s next?
Bwana A / Bahia (Collectors’ Choice Music). Review by Carl F Gauze.
Look Around (Innova). Review by Aaron Shaul.
Amazing - posted by James Mann on July 11, 2008 05:04
McSame’s new campaign tactic: The chilling effect - posted by James Mann on July 11, 2008 04:57
Kudos L.F. Eason III - posted by James Mann on July 11, 2008 04:50
Peter Himmelman’s longevity in the music business is proven, and his reggae-flavored The Pigeons Couldn’t Sleep showcases the versatility and range his success is built on. Ink 19 is pleased to speak with Peter about his new project, his past, and his future.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.